Bloke & Kids, Lombok

"So we lunched at Lau Pa Sat and talked through the surface of our lives. I told her my glorious pretensions and she smiled back with a charming reticence. I asked her what she was doing working for Mr Tan? Surely she could find something better? She said it’s just a job and she was biding her time while readying her heart and soul for the Universe. I told her I could relate to that. We talked about the dreariness of everyday life, how most things were old cabbage and wet socks. I told her I was getting out, moving to London where I could lose myself. I lectured her on the courage to move away from one’s comfort zone. She smiled at me and suggested Lombok rather than London."

Excerpt from A Long Bicycle Ride Into the Sea, a story in We Rose Up Slowly

You can buy We Rose Up Slowly here (free shipping in Singapore).

A Long Bicycle Ride into the Sea is a story from my collection, We Rose Up Slowly. The story was written in 2011 and published in Coast (Math Paper Press, 2011). 

A Long Bicycle Ride into the Sea:

• is about a young lawyer, coasting along in privilege, who is challenged to get wet to prove his love 
• examines unconscious assumptions, and how a sense of entitlement and the shallowness of one's gaze obscures self awareness, intimacy and growth
• shows the effect of this on relations with others
• contains passing references to small law firms in shophouses in Tanjong Pagar, Prada suits, Raoul cuff links, Lloyds shoes, Louboutin heels, silver charm bracelets, Benny Hill flirting with Emily Dickinson, Halal eating houses, a HDB flat in Clementi, a Hokkien Sponge Bob Square Pants, Lau Pa Sat, Billy Wilder films, Wayne Rooney and Fernando Torres, Amitabh Bachchan and Maggie Q, Kong Hee and Lawrence Khong, Ai Weiwei, Miroslav Tichý, Henry Darger and Beatrix Potter, Justin Bieber and Taufik Batisah, the planet Zog, and the song 无条件为你. 
• Why so many names dropped? I wanted to show the pretentious superficiality of the narrator and how this obstructs his ability to achieve deeper relations with others.
• He is bewildered by the things life end up throwing at him, and so he should be.

A Long Bicycle Ride into the Sea

"She said, “You need to be shocked into seeing things as they are. I think what you need is a long bicycle ride into the sea.”

I looked at her, puzzled. What was she on about?

“It’s like an extreme cold shower. But you do it fully clothed. The resistance. The pressure. Your trousers balloon, fill up with air, and you try to trundle onwards. But your wheels sink in the sand, the water rises around your waist and your balls shrink to the size of peas. And then you end up falling sideways, plopping into the sea.”

I sat there thinking, what kind of a challenge is this?"

Excerpt from A Long Bicycle Ride Into the Sea, a story in We Rose Up Slowly

You can buy We Rose Up Slowly here (free shipping in Singapore).

A Long Bicycle Ride into the Sea is a story from my collection, We Rose Up Slowly. The story was written in 2011 and published in Coast (Math Paper Press, 2011). 

A Long Bicycle Ride into the Sea:

• is about a young lawyer, coasting along in privilege, who is challenged to get wet to prove his love 
• examines unconscious assumptions, and how a sense of entitlement and the shallowness of one's gaze obscures self awareness, intimacy and growth
• shows the effect of this on relations with others
• contains passing references to small law firms in shophouses in Tanjong Pagar, Prada suits, Raoul cuff links, Lloyds shoes, Louboutin heels, silver charm bracelets, Benny Hill flirting with Emily Dickinson, Halal eating houses, a HDB flat in Clementi, a Hokkien Sponge Bob Square Pants, Lau Pa Sat, Billy Wilder films, Wayne Rooney and Fernando Torres, Amitabh Bachchan and Maggie Q, Kong Hee and Lawrence Khong, Ai Weiwei, Miroslav Tichý, Henry Darger and Beatrix Potter, Justin Bieber and Taufik Batisah, the planet Zog, and the song 无条件为你. 
• Why so many names dropped? I wanted to show the pretentious superficiality of the narrator and how this obstructs his ability to achieve deeper relations with others.

A Long Bicycle Ride into the Sea

"She talked about the ways in which everything is connected to everything; that the lungs are an extension of the air in which you live and move around. She said no person is an island. So I asked, “What are we then? Continents? Planets? Solar systems?” Later, she told me we were car parks, where the self is just a little bit of grey concrete marked out by painted white lines and we define ourselves by who we let drive in and how long they stay."

Excerpt from A Long Bicycle Ride Into the Sea, a story in We Rose Up Slowly

You can buy We Rose Up Slowly here (free shipping in Singapore).

This artwork was created by Jonathan Leong for the Synaesthesia exhibition organised by Ceriph and The Substation in April 2011. Synaesthesia was a group show featuring 16 pairs of writers and visual artists, with the visual artist interpreting and creating a typographic piece out of a Singaporean writer’s poetry or microfiction, encouraging dialogue between the two mediums of expression.

A Long Bicycle Ride into the Sea is a story from my collection, We Rose Up Slowly. The story was written in 2011 and published in Coast (Math Paper Press, 2011). 

A Long Bicycle Ride into the Sea:

• is about a young lawyer, coasting along in privilege, who is challenged to get wet to prove his love 
• examines unconscious assumptions, and how a sense of entitlement and the shallowness of one's gaze obscures self awareness, intimacy and growth
• shows the effect of this on relations with others
• contains passing references to small law firms in shophouses in Tanjong Pagar, Prada suits, Raoul cuff links, Lloyds shoes, Louboutin heels, silver charm bracelets, Benny Hill flirting with Emily Dickinson, Halal eating houses, a HDB flat in Clementi, a Hokkien Sponge Bob Square Pants, Lau Pa Sat, Billy Wilder films, Wayne Rooney and Fernando Torres, Amitabh Bachchan and Maggie Q, Kong Hee and Lawrence Khong, Ai Weiwei, Miroslav Tichý, Henry Darger and Beatrix Potter, Justin Bieber and Taufik Batisah, the planet Zog, and the song 无条件为你. 
• Why so many names dropped? I wanted to show the pretentious superficiality of the narrator and how this obstructs his ability to achieve deeper relations with others.