Compare and contrast to Pink Dot in 2009.
Pink Dot 2017 - Part One
in Singapore
Singapore
Compare and contrast to Pink Dot in 2009.
In 2009 cowboy hats and bunny ears were in. There was a lot more space too.
At the end of 2016, Sing Lit Station held its first Prose Bootcamp with Clarissa Goenawan, Ng Yi-Sheng, Toh Hsien Men and Teoh Ren Jie, and a cast of writers, publishers, agents, academics and editors.
In June 2017 Krishna, Daryl and I regrouped with the Clarissa, Yi-Sheng and Hsien Minh and spent a very pleasant Saturday afternoon going through their manuscripts.
Here are some of the images.
Speakeasy #31 was held on 17 May 2017 at Artistry with poets, Yong Shu Hoong and Will Beale.
Shu Hoong is one of my favourite poets and Frottage one of the best Singaporean poetry books published. Will Beale is such an exciting poet who uses music to great effect.
If you missed this reading, or want to hear more, then do come along to "Singapore & Australia: connections, country & belonging”, a literary roundtable presented by Sing Lit Station on 22 June 2017 at 3A Jalan Kubor.
Shu Hoong and Will, and also Balli Kaur Jaswal, David Wong and Eileen Chong, will be reading and discussing their Singapore Australian connections.
Erotic Stories for Punjabi Widows was sold out at Books Actually last Thursday night after Balli Kaur Jaswal's book launch.
Another wonderful, warm novel from Balli, and a very enjoyable book launch.
Here's a review from one of my favourite newspapers, The Economist.
Many thanks and hats off to the multi-talented Daryl Qilin Yam for taking most of these images.
All images are copyright Jon Gresham and Daryl Qilin Yam, all rights reserved. Please contact me if you wish to purchase rights to use an image.
SingPoWriMo 2017 closing party at Sing Lit Station.
The roti prata was very nice. The poetry even nicer. Well done to all the winners. 'Bread talks, but the kopi tiam.'
Don't forget to support the SIngPoWriMo 2017 Anthology at Indiegogo
This year's anthology will be edited by Ruth Tang, Stephanie Dogfoot and Daryl Qilin Yam.
Writing the City, the craft based writing workshop for Singapore based writers run by Sing Lit Station now has a Facebook page here.
So do join up!! The schedule for workshops this year is below. Do email me if you would like further information.
The Valentine’s Edition of Speakeasy was held at Artistry on 10 February 2017 to a packed and sweaty audience overflowing to the tables outside.
I was privileged to read some of my favourite love poems, and thankful that I was placed first so by the end of the evening everybody had forgotten me. On stage I took my glasses off so I couldn’t see anyone, but forgot to raise the microphone stand to suit my height. This means that the only photo of me reading shows me as a hunchback with toothache. Thanks to Shu Hoong for that photo.
I should also thank Shu Hoong for giving me me my very first reading in Singapore at the Book Cafe near Mohd Sultan Road in 2003 where I read my story We Rose Up Slowly. Prof. Kirpal Singh spoke on that evening a long time ago too about creativity.
Back at Speakeasy, you can see by these images that Shu Hoong has done well to retain his youthful, calm thoughtfulness - to be contrasted with Ashley50 whose up front good looks and virulent utilitarian pragmatism remain as erotic and enticing as ever.
The set list, courtesy of Pooja, was as follows:
1. Jon Gresham
2.Marylyn Tan
3. Balli Kaur Jaswal
4. Darryl Whetter.
5. Paul Tan
6. Yong Shu Hoong
7. Ruth Tang
8. Daryl Yam
9. Will Beale
10. Ian Chung
11. Barrie Sherwood
12. Samuel Lee
13. Renee Ting
14. Ashley 50
15. Cyril Wong
A larger version of the images is here. Please in all cases ask me for permission if you wish to use any image.
I note I am available to take promotional, marketing portraits or event shots for a fee. Please contact me if you are interested.
2016 has been a productive year for me. Despite Brexit, Trump, the loss of David Bowie, Leonard Cohen, Carrie Fisher, and, possibly, the beginning of the end of life as we know it, 2016 was full of joyful, creative progress with lots of fun with our baby growing up. In this mixed up, sad, insane, dystopian world I was privileged to have lots to enjoy.
Some of the creative things I got up to included:
1. Being a featured author at the Singapore Writers Festival.
Sneaking into the green room, scrawling graffiti on the white board … and not being able to operate the capsule coffee machine were highlights … together with being on panels with Robin Hemley, Cathy Torres, Eric Tinsay Valles, Jeffrey Lim, Audrey Chin & Ng Yi-Sheng.
2. Finding a home for a new story, The Looker, within the anthology In Transit
I am very happy with the way The Looker shaped up. I beta tested a romantic white saviour ending versus an open ended, lyrical ending … you'll have to read the story to see which ending I chose for The Looker
3. A Long Bicycle Ride into the Sea finds itself in Singapore Love Stories
ALBRITS is not autobiographical, although it very well could be. This anti-love story ends with our arrogant protagonist bewildered and alone in a bed-sit in Bermondsey.
4. My photo story, The worker from Jiangxi, is published in This is Not a Safety Barrier
I want to do a whole book with photo stories like this one. The good news is that the worker's compensation claim was upheld in December 2016.
TINASB is edited by Marc Nair and Yen Phan. TINASB also includes a ruthless poem about the photographic gaze by Verena Tay inspired by one of my images ‘Old Man at Tekka Centre’.
More of my images inspiring Verena Tay’s poetry were published in Left-Right. This is a wonderful Singapore Photography book edited by Geraldine Kang and Kenneth Tan and I would recommend it to anyone unfamiliar with the quality and vision of Singaporean photographers and writers.
6. The Finger published on line at Singapore Poetry
Thanks to Jee Leong Koh for publishing The Finger, available free on line at Singapore Poetry. Singapore Poetry is an important outlet for Singapore writers and provides fresh and intelligent views on Singapore literature.
7. The Model published in Esquire Singapore
Thanks to Amanda Lee Koe for publishing a story, The Model, in the April 2016 edition of Esquire magazine.
I really enjoyed taking part in this multi-media show. The Science Centre & SWF teams were extremely professional and easy to work with. I do hope they repeat the presentation in 2017.
9. Teaching creative writing for a few weeks as Writer in Residence at School of the Arts
Mr Chips eat your heart out. It’s hard work and a fascinating process trying to influence and persuade and communicate to people. Exhausting and very rewarding.
Writing the City is a monthly creative writing workshop community held at Toa Payoh library and supported by NLB and the British Council and run by Sing Lit Station.
We are looking for a sponsor if you are interested in helping us pay the facilitators and guest presenters.
11. Mucking about with Sing Lit Station
Sing Lit Station has achieved a lot thanks to the hard work and talents of a large number of volunteers and interns and the leadership of Daryl Qilin Yam and Joshua Ip - and it's not even a year old. Watch out 2017 for more poetry, prose, bootcamps, workshops and zombies.
Images from the inaugural Sing Lit Station Prose Bootcamp with various writers, academics, publishers, and agents. Thanks to our four prose writers: Teoh Ren Jie, Clarissa Goenawan, Toh Hsien Min and Ng Yi-Sheng, and to the wonderful support from many of Singapore Literature's leaders and supporters including:
... and a big thanks to Daryl Qilin Yam - for doing most of the heavy lifting, Tse Hao Guang - for impersonating Ng Yi-Sheng, Joshua Ip - for whisky and venue, and Krishna Udayasankar - especially for her input on the texts.
I'm looking forward to regrouping in the middle of next year to see how these four texts turn out.
On Thursday 24 November 2016, Ng Yi-Sheng launched his new book of poems, Loud Poems For a Very Obliging Audience (Math Paper Press, 2016) at BooksActually.
Yi-Sheng, the award winning poet, is one of Singapore’s most engaging literary personalities full of energy, eccentricity and erudition. I've had the pleasure of appearing on a panel at SWF with Yi-Sheng in costume presenting twenty plus slides on Singapore Horror.
He’s not just a poet he’s a writer wearing multiple hats as an editor (see Eastern Heathens), blogger (see also the fascinating East is Everywhere), gay activist, critic, journalist, playwright, fashion icon and cultural commentator (see A History of Performance Poetry in Singapore).
LPFAVOA gathers Yi-Sheng’s best spoken word poems presented over a 16 year period. My goodness, that’s a long time.
I’ve also had the pleasure of reading the early draft of Yi-Sheng’s collection of shorts stories for Sing Lit Station’s 2016 Prose Bootcamp. This collection will be something to watch out for in the future.